Tony Lash is the former drummer of Heatmiser and long time friend of Elliott.
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Stanger than Fiction/Harum Scarum: Courtesy of Tony Lash
![elliott smith either or rar elliott smith either or rar](https://www.topkool.com/fr/wp-content/uploads/2013/02/elliott-smith-012.jpg)
He also leaked some tracks from his other early bands.
ELLIOTT SMITH EITHER OR RAR FULL
Many alt versions of songs, covers, and singles not on his studio albums.Ī Murder of Crows: Courtesy of No Name 7 Īn anonymous YouTube leaked an entire album from Elliott's early band including the full rip of The Greenhouse (1987) by A Murder of Crows. Either/Or is the final time when Smith could complain about intrusions without ever really knowing how intrusive the outside world could really be.Hey everyone, there are a lot of newcomers, welcome! These are some rarities throughout Elliotts career.Ī collection of Elliott's unreleased work. The story from there gets extremely complicated, and nothing in Smith’s life would ever be as simple as they sounded on Either/Or.īut for one moment in time, Smith was caught in ember as life seemed relatively straightforward. He decided that Smith would make the perfect voice to help bring his new film, Good Will Hunting, to life. Director Gus Van Sant became enthralled with ‘Between the Bars’, the haunting album centrepiece. Whether he actually wanted them to, the world was now listening. Smith’s voice caused the listener to lean in, but the words seemed like he was trying to shut them out. What was left were twelve impassioned, occasionally depressing, and strangely curious compositions that seemed extremely personal but also completely at arm’s length. But just before the final cut, Smith decided not to include the album’s title track in the song list. Smith burned through those thirteen tracks about as quickly and efficiently as possible. The drums on album opener ‘Speed Trials’ sound like shoeboxes banged against the floor, but by the midpoint of ‘No Name No. ‘Cupids Tricks’ and ‘2:45’, strategically placed at the end of the album, seem to point towards the future arrangements of albums like XO and Figure 8. When they did, it was Smith himself playing all of the instruments. Very few tracks expand beyond Smith’s basic setup. ‘Pictures of Me’ is a prickly indictment on public image, with Smith grousing that, “Everybody’s dying just to get the disease.” Upon getting invited to the eponymous ‘Rose Parade’, Smith insist: “When they clean the street, I’ll be the only shit that’s left behind.” Already gaining a reputation for sad-sack lyrics, Smith never let rubberneckers impede on his incisive word crafting or his often brutally dark honesty.
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Tellingly, Smith seems to be aware that people were paying attention to him on Either/Or, perhaps for the first time. It’s not his most charming or audacious record, but it could very well be his best.
![elliott smith either or rar elliott smith either or rar](https://media.npr.org/assets/img/2017/03/09/gettyimages-136988895_wide-aaf012b5fa7fa4bb151e4195fb0d5ab8e9fe2fc8.jpg)
Sitting at the immediate end of Smith’s lo-fi origins and right before his lush, major label album crafting that took over his final records, Either/Or is the platonic ideal of an Elliott Smith record. Most tracks featured only an additional guitar overdub to compliment Smith’s fingerpicked acoustic and whisper-thin vocal delivery.
ELLIOTT SMITH EITHER OR RAR PROFESSIONAL
Bouncing between Portland studios, some professional and some in friends’ basements, Smith gathered up thirteen acoustic tracks that could be recorded quickly after Heatmiser’s dissolution. The answer was by going on unemployment, recording in houses, and focusing on his songwriting.